News

Amsterdam turned into the place to be for everyone passionate about grand opera and powerful orchestral sound. From February 19–22, more than 200 music and opera enthusiasts gathered for the International Richard Wagner Congress, hosted by the Dutch Wagner Association. At the core of the event was the delegates’ assembly of the worldwide umbrella organization RWVI. This was not just about reports — it was about real strategic and financial decisions shaping the future of the organization. The opening address was delivered by the Dutch Minister of Education, Culture and Science, Gouke Moes. RWVI President Harry Leutscher and Scholarship Foundation Director Stephanie Kollmer presented updates on their work. Dirk Jenders introduced the current progress of the constitutional reform, which is scheduled to be finalized at the 2027 congress in Nice.

From January 28 to February 1, 2027, the global Wagner community will gather on the French Riviera. The program includes:

From January 21–23, 2028, the congress moves to the Gran Teatre del Liceu. Announced: "Die Walküre" (stage direction by Tobias Kratzer, conducted by Jonathan Nott). Further details will follow.

In 2029, the congress will take place in the Swedish capital.

A central topic in Amsterdam was the strategic roadmap “RWVI Future Proof.” The message is clear: the organization aims to grow and modernize.

To ensure sustainable funding, the annual contribution per local member will increase from €2 to €3.50. In return, the previously mandatory congress fee of up to €95 per participant will be abolished. A transparent and long-term financing model.

Beyond the official meetings, the Dutch hosts curated a rich cultural program. The artistic highlight was "Tristan and Isolde" at the Dutch National Opera, staged by Pierre Audi.

Evening receptions and a gala dinner at the stylish nHow Amsterdam RAI created space for networking with guests from across Europe, Iceland, the United States, South Africa, and Australia.

A compact symposium explored Wagner’s influence in the Netherlands. Prof. Hartmut Haenchen spoke about his collaboration with Pierre Audi on the Amsterdam Ring. Leo Cornelissen addressed performance practice, and Leo Samama discussed Wagner’s impact on Dutch art, literature, and music. Musical contributions by former scholarship holders rounded off the event — naturally featuring Wagner’s music.